#5
Hasta El Viento Tiene Miedo ['Even The Wind is Afraid']
(Carlos Enrique Taboada, 1968)
Anyone who thinks '60s Mexican horror was all about preening luchadores, aztec mummies and bloody apes would do well to check out this sombre, slow-burn ghost story whose gradual accumulation of dread initially seems to owe as much to the Val Lewton school as anything else.
The claustrophobic girl's school setting strongly anticipates later Spanish films like 'La Residencia' / 'The House That Screamed' or 'School of Fear', but rather than a mystery thriller, this is a full blown supernatural affair, with pupils and teachers falling prey to the ghost of a former pupil driven to her death by the tyrannical headmistress.
Unfortunately, the simple, slow-moving story and flat characterisations here are unlikely to really enthall anyone, and it's fair to say that very little actually happens through most of the run-time... but this one is all about the atmos.
In fact, with constant howling wind, mewling cats, rich primary colours, deep, dark shadows, pale-skinned ghosts peering through dirty windows, a lush, wall-to-wall orchestral score and (on occasion) some groovy, mod-ish fashions, it's almost impossible not to describe the film as "Bava-esque". And, whilst it's nowhere near his level of accomplishment (and far less shocking/eventful than any of his '60s classics), it's still a reasonably proficient attempt to mount a production in a similar vein, which fans of that very particular over-heated '60s colour gothic aesthetic should definitely get a kick out of.
By far the best bit is the scene in which one of the girls performs a striptease in sexy blue lingerie before getting spooked by the ghost; not exactly revolutionising the horror genre, you'd have to admit, but hey - it works.
B+
Hasta El Viento Tiene Miedo ['Even The Wind is Afraid']
(Carlos Enrique Taboada, 1968)
Anyone who thinks '60s Mexican horror was all about preening luchadores, aztec mummies and bloody apes would do well to check out this sombre, slow-burn ghost story whose gradual accumulation of dread initially seems to owe as much to the Val Lewton school as anything else.
The claustrophobic girl's school setting strongly anticipates later Spanish films like 'La Residencia' / 'The House That Screamed' or 'School of Fear', but rather than a mystery thriller, this is a full blown supernatural affair, with pupils and teachers falling prey to the ghost of a former pupil driven to her death by the tyrannical headmistress.
Unfortunately, the simple, slow-moving story and flat characterisations here are unlikely to really enthall anyone, and it's fair to say that very little actually happens through most of the run-time... but this one is all about the atmos.
In fact, with constant howling wind, mewling cats, rich primary colours, deep, dark shadows, pale-skinned ghosts peering through dirty windows, a lush, wall-to-wall orchestral score and (on occasion) some groovy, mod-ish fashions, it's almost impossible not to describe the film as "Bava-esque". And, whilst it's nowhere near his level of accomplishment (and far less shocking/eventful than any of his '60s classics), it's still a reasonably proficient attempt to mount a production in a similar vein, which fans of that very particular over-heated '60s colour gothic aesthetic should definitely get a kick out of.
By far the best bit is the scene in which one of the girls performs a striptease in sexy blue lingerie before getting spooked by the ghost; not exactly revolutionising the horror genre, you'd have to admit, but hey - it works.
B+
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