BIG DRIVER (Mikael Salomon, 2014)
Writer has car trouble, gets revenge. It's another Stephen King autobiography, for Lifetime, but that desire to be liked & understood by everybody's always been a big part of King: mass ingratiation is one of his strengths, so this works well. Maria Bello plays Stephen King, gets SPOILED by a serial truck driver, and proceeds to get the bloody payback you've always known Stephen's sick heart needs. Leisurely, brightly-played intro plays up Bello's attractiveness; the tone's like a younger, Hawks-ingenue MURDER SHE WROTE, and it's working hard to win audience identification. When the graphic (for Lifetime?) SPOILAGE comes, the tone-shift is less dramatically effective than it is surprising: I thought Lifetime's demographic was mainly women, so the extended brutalization says something about how they see their viewers, maybe. Salomon has directed other King stuff, and a Dean Koontz miniseries; he's tv-movie fine, and even throws in a shout-out recreation of that ABSENTIA stock cover image. With Joan Jett cameo as an aging rocker (actually pretty resonant given recent Lita Fox/Kim Fowley stuff), Olympia Dukakis as grandmother's house, and another of King's portraits of his readers as hateful gorgons. (Love me! I hate you!) The driver isn't actually all that big; I guess John Goodman has call display.
The cover for the DVD is some masterpiece of understatement.
I liked everything about this.
Writer has car trouble, gets revenge. It's another Stephen King autobiography, for Lifetime, but that desire to be liked & understood by everybody's always been a big part of King: mass ingratiation is one of his strengths, so this works well. Maria Bello plays Stephen King, gets SPOILED by a serial truck driver, and proceeds to get the bloody payback you've always known Stephen's sick heart needs. Leisurely, brightly-played intro plays up Bello's attractiveness; the tone's like a younger, Hawks-ingenue MURDER SHE WROTE, and it's working hard to win audience identification. When the graphic (for Lifetime?) SPOILAGE comes, the tone-shift is less dramatically effective than it is surprising: I thought Lifetime's demographic was mainly women, so the extended brutalization says something about how they see their viewers, maybe. Salomon has directed other King stuff, and a Dean Koontz miniseries; he's tv-movie fine, and even throws in a shout-out recreation of that ABSENTIA stock cover image. With Joan Jett cameo as an aging rocker (actually pretty resonant given recent Lita Fox/Kim Fowley stuff), Olympia Dukakis as grandmother's house, and another of King's portraits of his readers as hateful gorgons. (Love me! I hate you!) The driver isn't actually all that big; I guess John Goodman has call display.
The cover for the DVD is some masterpiece of understatement.
I liked everything about this.
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