ODD THOMAS (Stephen Sommers, 2013). I thought I'd read at least the first of the Dean Koontz books this is based on, but turns out I was thinking of Fear Nothing. Koontz is like that, for me, but sometimes, wandering in the desert, there're only Dean Koontz books in the drugstore rack: his writing leaves no real traces, just an unsatisfied emptiness and an aftertaste that makes me want to spit. It's like drinking your own urine to survive. The movie's way better than a Dean Koontz novel.
WITHOUT WARNING (Greydon Clark, 1980). A+. The blu-ray's a treat.
DREDD (Pete Travis, 2012). Huh. Alex Garland was a good choice to script this. Want to see EX MACHINA now.
EDGE OF TOMORROW (Doug Liman, 2014). Thought I'd better catch this in a theatre. Damnedest remake of THE AMERICANIZATION OF EMILY. Tom Cruise is no James Garner, I'll say that.
WITHOUT WARNING (Greydon Clark, 1980). A+. The blu-ray's a treat.
DREDD (Pete Travis, 2012). Huh. Alex Garland was a good choice to script this. Want to see EX MACHINA now.
EDGE OF TOMORROW (Doug Liman, 2014). Thought I'd better catch this in a theatre. Damnedest remake of THE AMERICANIZATION OF EMILY. Tom Cruise is no James Garner, I'll say that.
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