So how's everyone feeling about this one now? I caught this again on TV again last night and count me in as an absolutely unabashed fan of this film. I know a lot of people don't like the term American Giallo but I don't mind it and this is my favourite American Giallo.
So well directed; the cameras everywhere, left, right, up peoples noses, up Sharon's skirt but never losing sight of the need for good compositions. Brilliant score which I'm currently using as a temp track myself. Tough talking but clever script that was- I think- at one point the most expensive script in Hollywood.* Sharon's one note but that kind of works for the character and she's hot here. It's a shame for her she became a star at about the same time as she began the slide into middle age but she's perfect here (as a side note in his biography Eszterhas claims Sharon took him to bed to pay him back for writing the role. "I still felt underpaid" he said.)
Much as I dig it though I get the impression there's not a lot of love out there for BI. I think the ramped up, over wrought sex is a stumbling point for some people. And it is silly... but it's cool too. With BI Veerhoven is just doing for sex what he did for violence with Robocop.
*As a side note it would be interesting to track through Hollywood history what the most expensive scripts were. Unlike the most expensive actors, the ones I can think of (Butch Cassidy and The Sundance Kid, Basic Intinct) tended to make great films.
So well directed; the cameras everywhere, left, right, up peoples noses, up Sharon's skirt but never losing sight of the need for good compositions. Brilliant score which I'm currently using as a temp track myself. Tough talking but clever script that was- I think- at one point the most expensive script in Hollywood.* Sharon's one note but that kind of works for the character and she's hot here. It's a shame for her she became a star at about the same time as she began the slide into middle age but she's perfect here (as a side note in his biography Eszterhas claims Sharon took him to bed to pay him back for writing the role. "I still felt underpaid" he said.)
Much as I dig it though I get the impression there's not a lot of love out there for BI. I think the ramped up, over wrought sex is a stumbling point for some people. And it is silly... but it's cool too. With BI Veerhoven is just doing for sex what he did for violence with Robocop.
*As a side note it would be interesting to track through Hollywood history what the most expensive scripts were. Unlike the most expensive actors, the ones I can think of (Butch Cassidy and The Sundance Kid, Basic Intinct) tended to make great films.
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