I've watched this a couple times before, but I'd forgotten how disturbing it is. Reese Witherspoon gives a really enthusiastic performance as the trailer trash version of "Little Red Riding Hood", who gets picked up by a really creepy Kiefer Sutherland (as a variation of the "Big Bad Wolf"), as she's fleeing her ghetto neighbourhood to visit her grandma. One thing I admired about it this time around is how it maintained its' uncompromising tone for the entire runtime; it truly felt dangerous and I loved how it made me feel uneasy. This is a creepy movie and it's very well made. I think it was Wes Craven who said: "I like the idea of making the audience believe they're in the hands of a madman", or something to that effect, and that theory definitely applies to this one. It got me thinking that these types of indies don't really get made that much in the US anymore. I watched the sequel CONFESSIONS OF A TRICKBABY earlier this year, and it's even more nihilistic than this one. What are some more recent US films that could be described as "dangerous" or are not afraid of being offensive? I feel like modern movies have a tendency to add an element of redemption or hope to even the edgiest stories and somehow they're holding back from crossing that line into truly offensive or subversive territory.
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Freeway (1996)
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I really love FREEWAY, so many performances from people you just wouldn't expect them from. I still have the DVD, but haven't watched it in awhile. It perfectly straddles the line between amusing and offensive...to most people, anyway...and maintains a weird energy throughout. I thought the sequel tried too hard to top it and toppled into ugh territory...not a fan.
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Is there any great release of this available? Cause I'd like to revisit without going through my old shoddy barebones dvd."No presh from the Dresh!"
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Originally posted by The Silly Swede View PostIs there any great release of this available? Cause I'd like to revisit without going through my old shoddy barebones dvd.Why would anybody watch a scum show like Videodrome? Why did you watch it, Max?
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Originally posted by Mark Tolch View PostI thought the sequel tried too hard to top it and toppled into ugh territory...not a fan.Why would anybody watch a scum show like Videodrome? Why did you watch it, Max?
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Is Filth the British cop film? I actually have that one lying around somewhere, seems like I have to bump it to the top of the watch pile.
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This is getting really off-topic, but I just watched Filth, and yes it is an enjoyable film. The tone is all over the place, just a wild ride from beginning to three quarters in, endearing and disorienting in equal measure. I don't think they nail the last act though, when it gets more serious and melodramatic. The transition just doesn't work emotionally for me. It's funny as hell in the beginning though, with sometimes really pitch black humour.
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Originally posted by enandalusiskhund View PostThis is getting really off-topic, but I just watched Filth, and yes it is an enjoyable film. The tone is all over the place, just a wild ride from beginning to three quarters in, endearing and disorienting in equal measure. I don't think they nail the last act though, when it gets more serious and melodramatic. The transition just doesn't work emotionally for me. It's funny as hell in the beginning though, with sometimes really pitch black humour.Why would anybody watch a scum show like Videodrome? Why did you watch it, Max?
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