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Wikipedias Giallo-ography. How definitive is this?

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  • Wikipedias Giallo-ography. How definitive is this?

    So I was trawling through film pages on wikipedia today and came across the giallo page. It includes a lengthy filmography of the genre. How does it look to you? Is this the most complete such list on the net or is there something better? There's a few in there that obviously aren't gialli but otherwise it looks like a decent attempt to me.

    Giallo filmography
    1960s

    The Girl Who Knew Too Much (Mario Bava, 1963; Italian: La ragazza che sapeva troppo) aka The Evil Eye
    The Monster of London City (1964) This German crimi film was an obvious template for the giallo form
    Blood and Black Lace (Mario Bava, 1965; Italian: Sei donne per l'assassino / Six Women for the Murderer)
    Libido (Ernesto Gastaldi, 1965)
    The Third Eye (Mino Guerrini, 1966; Italian: Il terzo occhio)
    A For Assassin (Angelo Dorigo, 1966; Italian: A... come Assassino)
    Omicidio per appuntamento / Murder by Appointment (Mino Guerrini, 1966) aka Date For A Murder
    The Killer Without a Face (Angelo Dorigo, 1967: Italian: Assassino senza volto)
    The Sweet Body of Deborah (Ernesto Gastaldi, 1968; Italian: Il dolce corpo di Deborah)
    La morte ha fatto l'uovo / Death Laid An Egg (Giulio Questi, 1968) aka Plucked, aka A Curious Way to Love
    Naked... You Die! (Antonio Margheriti, 1968, Italian: Nude... si muore) aka The Young, the Evil and the Savage, aka The Schoolgirl Killer
    Deadly Inheritance (Vittorio Sindoni, 1968; Italian: L'assassino ha le mani pulite / The Killer Has Clean Hands)
    A Black Veil for Lisa (Massimo Dallamano, 1968; Italian: La morte non ha sesso / Death Has No Sex)
    Orgasmo (Umberto Lenzi, 1968) released theatrically in USA as Paranoia
    Paranoia (Umberto Lenzi, 1969) released in USA as A Quiet Place To Kill (not to be confused with "Orgasmo")
    So Sweet...So Perverse (Umberto Lenzi, 1969; Italian: Cosí¬ dolce...cosí¬ perversa)
    Satan's Baby Doll (Ferrruccio Casapinta, 1969; Italian: La bambola di Satana)
    Una sull'altra / One on Top of the Other (Lucio Fulci, 1969) aka Perversion Story
    The House That Screamed (Narcisco Serrador, 1969; Spanish: La Residencia)
    Death Knocks Twice (Harald Philip, 1969; Italian: La morte bussa due volte) aka Blonde Bait for the Murderer, aka Hard Women, aka The Blonde Connection
    Double Face (Riccardo Freda, 1969: Italian: A doppia faccia) aka Liz et Helen

    1970s

    The Bird with the Crystal Plumage (Dario Argento, 1970; Italian: L'uccello dalle piume di cristallo) aka Phantom of Terror, aka The Gallery Murders,
    Macabre (Javier Seto, 1970; Spanish: Viaje al Vacio/ Journey into Emptiness) aka The Invisible Assassin, aka Shadow of Death
    The Man with Icy Eyes (Alberto de Martino, 1970; Italian: L'uomo dagli occhi di ghiaccio)
    Five Dolls for an August Moon (Mario Bava, 1970; Italian: 5 bambole per la luna d'agosto) aka Island of Terror
    Hatchet for the Honeymoon (Mario Bava, 1970; Italian: Il rosso segno della follia / The Red Sign of Madness) aka Blood Brides
    La morte risale a ieri sera / Death Occurred Last Night (Duccio Tessari, 1970)
    A Suitcase For a Corpse (Alfonso Brescia, 1970; Italian: Il tuo dolce corpo da uccidere / Your Sweet Body to Murder)
    Le foto proibite di una signora per bene / Forbidden Photos of a Lady Above Suspicion (Luciano Ercoli, 1970)
    Kill the Fatted Calf and Roast It (Salvatore Samperi, 1970; Italian: Uccidete il vitello grasso e arrostitelo)
    In the Folds of the Flesh (Sergio Bergonzelli, 1970; Italian: Nelle pieghe della carne)
    The Weekend Murders (Michele Lupo, 1970; Italian: Concerto per pistola solista) aka The Story of a Crime
    A Lizard in a Woman's Skin (Lucio Fulci, 1971; Italian: Una lucertola con la pelle di donna) aka Schizoid
    The Fifth Cord (Luigi Bazzoni, 1971; Italian: Giornata nera per l'ariete / Black Day for the Ram) aka Evil Fingers
    Oasis of Fear (Umberto Lenzi, 1971; Italian: Un posto ideale per uccidere / An Ideal Place for Murder) aka Dirty Pictures
    The Strange Vice of Mrs. Wardh (Sergio Martino, 1971; Italian: Lo strano vizio della Signora Wardh) aka Blade of the Ripper, aka Next!, aka The Next Victim
    The Case of the Scorpion's Tail (Sergio Martino, 1971; Italian: La coda dello scorpione / Tail of the Scorpion)
    Black Belly of the Tarantula (Paolo Cavara, 1971; Italian: La tarantola dal ventre nero)
    The Cat o' Nine Tails (Dario Argento, 1971; Italian: Il gatto a nove code)
    The Bloodstained Butterfly (Duccio Tessari, 1971; Italian: Una farfalla con le ali insanguinate)
    Four Flies on Grey Velvet (Dario Argento, 1971; Italian: 4 mosche di velluto grigio)
    My Dear Killer (Tonino Valerii, 1971; Italian: Mio caro assassino)
    Marta (Jose Antonio Nieves Conde, 1971; Italian: ...dopo di che, uccide il maschio e lo divora / After That, It Kills and Devours the Male)
    Amuck! (Silvio Amadio, 1971; Italian: Alla ricerca del piacere / In Pursuit of Pleasure) aka Maniac Mansion, aka Leather and Whips, aka Hot Bed of Sex
    The Double (Romolo Guerrieri, 1971; Italian: La Controfigura)
    Cross Current (Tonino Ricci, 1971; Italian: Un Omicidio perfetto a termine di legge / A Perfect Murder According to Law)
    Twitch of the Death Nerve (Mario Bava, 1971; Italian: Reazione a catena / Chain Reaction) aka Ecologia del delitto / Ecology of Crime, aka A Bay of Blood, aka Last House on the Left, Part 2
    The Iguana with the Tongue of Fire (Riccardo Freda, 1971; Italian: L'iguana dalla lingua di fuoco)
    The Red Headed Corpse (Renzo Russo, 1971; Italian: La rossa dalla pelle che scotta) aka The Sensuous Doll
    They Have Changed Their Face (Corrado Farina, 1971; Italian: Hanno cambiato faccia)
    Murder By Design (Maurizio Lucidi, 1971; Italian: La vittima designata / The Designated Victim)
    Slaughter Hotel (Fernando Di Leo, 1971; Italian: La bestia uccide a sangue freddo / The Beast Kills in Cold Blood) aka Asylum Erotica, aka The Cold-Blooded Beast
    The Fourth Victim (Eugenio Martin, 1971; Italian: In fondo alla piscina / At the Front of the Pool) aka Death at the Deep End of the Pool, aka La ultima senora Anderson / The Last Mrs. Anderson)
    The Devil Has Seven Faces (Osvaldo Civirani, 1971; Italian: Il diavolo ha sette facce) aka The Devil with Seven Faces
    Jack the Ripper of London (Jose Luis Madrid, 1971, Spanish: Jack el destripador de Londres) aka 7 Murders for Scotland Yard, aka 7 Corpses for Scotland Yard
    Death Walks on High Heels (Luciano Ercoli, 1971; Italian: La morte cammina con i tacchi alti )
    Cold Eyes of Fear (Enzo G. Castellari, 1971; Italian: Gli occhi freddi della paura) aka Desperate Moments
    In the Eye of the Hurricane (Jose Maria Forque, 1971; Italian: La volpe dalla coda di velluto / The Fox with the Velvet Tail)
    The Glass Ceiling (Eloy de la Iglesias, 1971) stars Patty Sheppard and Emma Cohen
    The Night Evelyn Came Out of the Grave (Emilio Miraglia, 1971; Italian: La notte che Evelyn uscí¬ dalla tomba)
    The Case of the Bloody Iris (Giuliano Carnimeo, 1972; Italian: Perché quelle strane gocce di sangue sul corpo di Jennifer? / What Are Those Strange Drops of Blood on Jennifer's Body?
    Don't Torture a Duckling (Lucio Fulci, 1972; Italian: Non si sevizia un paperino) aka The Long Night of Exorcism
    Who Killed the Prosecutor and Why? (Giuseppe Vari, 1972; Italian: Terza ipotesi su un caso di perfetta strategia criminale / Third assumption about perfect criminal strategy case)
    La morte accarezza a mezzanotte / Death Walks at Midnight (Luciano Ercoli, 1972)
    An Open Tomb...An Empty Coffin (Alfonso Balcazar, 1972; Spanish: La casa de las muertas vivientes / House of the Living Dead)
    Who Saw Her Die? (Aldo Lado, 1972; Italian: Chi l'ha vista morire?)
    A White Dress for Mariale (Romano Scavolini, 1972; Italian: Un blanco vestito per Mariale) aka Spirits of Death
    Your Vice Is a Locked Room and Only I Have the Key (Sergio Martino, 1972; Italian: Il tuo vizio í¨ una stanza chiusa e solo io ne ho la chiave) aka Gently Before She Dies, aka Eye of the Black Cat, aka Excite Me!
    Casa d'appuntamento / House of Rendez-vous (Ferdinando Merighi, 1972) aka The Bogey Man and the French Murders, aka The French Sex Murders)
    Smile of the Hyena (Silvio Amadio, 1972; Italian: Il sorriso della iena) aka Smile Before Death
    What Have You Done to Solange? (Massimo Dallamano, 1972; Italian: Cosa avete fatto a Solange?) aka Secret of the Green Pins, aka Who's Next?, aka Terror in the Woods
    Il coltello di ghiaccio / Knife of Ice (Umberto Lenzi, 1972) aka Detrí¡s del Silencio / After the Silence, aka Vertigine
    Murder Mansion (Francisco Lara Polop, 1972; Italian: Quando Marta urlí² dalla tomba / When Marta Screams from the Grave) aka The House in the Fog
    All the Colors of the Dark (Sergio Martino, 1972; Italian: Tutti i colori del buio) aka Day of the Maniac, aka They're Coming to Get You!
    The Killer is on the Phone (Alberto de Martino, 1972; Italian: L'assassino e' al telefono) aka Scenes From a Murder
    Tropic of Cancer (Edoardo Mulargia, 1972; Italian: Al Tropico del Cancro) aka Death in Haiti
    The Dead Are Alive (Armando Crispino, 1972; Italian: L'etrusco uccide ancora / The Etruscan Kills Again)
    So Sweet, So Dead (Roberto Montero, 1972; Italian: Rivelazione di un maniaco sessuale) aka The Slasher is the Sex Maniac, aka Penetration
    Delirium (Renato Polselli, 1972; Italian: Delirio caldo)
    The Short Night of the Glass Dolls (Aldo Lado, 1972; Italian: La corta notte delle bambole di vetro) aka Paralyzed
    Seven Blood-Stained Orchids (Umberto Lenzi, 1972; Italian: Sette orchidee macchiate di rosso)
    Sette scialli di seta gialla / Crimes of the Black Cat (Sergio Pastore, 1972)
    Naked Girl Killed in the Park (Alfonso Brescia, 1972; Italian: Ragazza tutta nuda assassinata nel parco)
    The Two Faces of Fear (Tulio Demichelli, 1972; Italian: I due volti della paura)
    Passi di danza su una lama di rasoio / Dance Steps on a Razor's Edge (Maurizio Pradeux, 1973; International title: Death Carries a Cane) aka Maniac at Large, aka Tormentor
    Torso (Sergio Martino, 1973; Italian: I corpi presentano tracce di violenza carnale / The Bodies Show Traces of Carnal Violence)
    The Flower with the Petals of Steel (Gianfranco Piccioli, 1973; Italian: Il fiore dai petali d'acciaio) aka The Flower with the Deadly Sting
    Seven Deaths in the Cat's Eye (Antonio Margheriti, 1973; Italian: La morte negli occhi del gatto / Death in the Eyes of the Cat)
    Blue Eyes of the Broken Doll (Carlos Aured, 1973; Spanish: Los ojos azules de la muí±eca rota) aka House of Psychotic Women
    The Bloodstained Lawn (Riccardo Ghione, 1973; Italian: Il prato macchiato di rosso)
    Love and Death on the Edge of a Razor (Giusseppe Pellegrini, 1973; Italian: Giorni d'amore sul filo di una lama) aka Muerte au Rasoir
    The Girl in Room 2-A (William Rose, 1973, Italian: La casa della paura / The House of Fear) aka The Perversions of Mrs. Grant
    L'arma, l'ora, il movente (Francesco Mazzei, 1973; English: The Weapon, The Hour, The Motive)
    The Red Queen Kills Seven Times (Emilio Miraglia, 1973; Italian: La dama rossa uccide sette volte) aka Blood Feast, aka Feast of Flesh
    No One Heard the Scream (Eloy de la Iglesia, 1973; Spanish: Nadie oyí³ gritar)
    The Perfume of the Lady in Black (Francesco Barilli, 1973; Italian: Il profumo della signora in nero)
    Five Women for the Killer (Stelvio Massi, 1974; Italian: Cinque donne per l'assassino)
    Eyeball (Umberto Lenzi, 1974; Italian: Gatti rossi in un labirinto di vetro / Red Cats in a Glass Maze) aka Wide-Eyed in the Dark
    Macchie solari / Autopsy (Armando Crispino, 1974
    Spasmo (Umberto Lenzi, 1974)
    Puzzle (Duccio Tessari, 1974; Italian: L'uomo senza memoria / "The Man Without a Memory)
    A Dragonfly For Each Corpse (Leí³n Klimovsky, 1974; Spanish: Una libélula para cada muerto)
    The Killer Reserved Nine Seats (Giuseppe Benati, 1974; Italian: L'assassino ha riservato nove poltrone)
    What Have They Done to Your Daughters? (Massimo Dallamano, 1974; Italian: La polizia chiede aiuto / The Police Need Help) aka The Co-ed Murders
    Ciak si muore (Mario Moroni, 1974; rough translation: Click...She Dies)
    The Killer Must Kill Again (Luigi Cozzi, 1974; Italian: L'assassino í¨ costretto ad uccidere ancora) aka Il Ragno (The Spider), aka The Dark is Death's Friend
    The Killer Is One of the Thirteen (Javier Aguirre, 1974; Spanish: El asesino estí¡ entre los trece)
    All the Screams of Silence (Ramon Barco, 1974, Spanish: Todo los gritos del silencio)
    The Killer Wore Gloves (Juan Bosch, 1974; Spanish: La Muerte llama a las diez / Death Calls at Ten) aka Le calde labbra del carnefice / The Hot Lips of the Killer
    The Killer With a Thousand Eyes (Juan Bosch, 1974; Spanish: Los mil ojos del asesino) aka On The Edge
    Deep Red (Dario Argento, 1975; Italian: Profondo rosso) aka The Hatchet Murders
    Nude per l'assassino / Strip Nude for your Killer (Andrea Bianchi, 1975)
    Reflections in Black (Tano Cimarosa, 1975; Italian: Il vizio ha le calze nere / Vice Wears Black Hose)
    The Fish With the Gold Eyes (Pedro Luis Ramirez, 1974, Spanish: El pez del los ojos de oro)
    Too Young to Die (Sergio Martino, 1975; Italian: Morte sospetta di una minorenne / The Suspicious Death of a Minor)
    The Bloodsucker Leads the Dance ((Alfredo Rizzo, 1975; Italian: La sanguisuga conduce la danza) aka The Passion of Evelyn
    A tutte le auto della polizia (Mario Caiano, 1975; English: Calling All Police Cars)
    The House with Laughing Windows (Pupi Avati, 1976; Italian: La casa dalle finestre che ridono)
    Death Steps in the Dark (Maurizio Pradeux, 1976; Italian: Passi di morte perduti nel buio)
    Plot of Fear (Paolo Cavara, 1976; Italian: E tanta paura)
    Crazy Desires of a Murderer (Filippo Walter Ratti, 1977; Italian: I vizi morbosi di una governante)
    Sette note in nero / The Psychic (Lucio Fulci, 1977) aka Murder to the Tune of Seven Black Notes
    The Pajama Girl Case (Flavio Mogherini, 1977; Italian: La ragazza dal pigiama giallo / The Girl in the Yellow Pyjamas)
    Watch Me When I Kill (Antonio Bido, 1977; Italian: Il gatto dagli occhi di giada / The Cat with the Jade Eyes) aka The Cat's Victims
    The Monster (Luigi Zampa, 1977; Italian: Il Mostro) aka Criminal
    Hotel Fear (Francesco Barilli, 1977; Italian: Pensione Paura)
    Nine Guests for a Crime (Ferdinando Baldi, 1977; Italian: 9 ospiti per un delitto) aka A Cry in the Night
    The Sister of Ursula (Enzo Milioni, 1978; Italian: La sorella di Ursula) aka La muerte tiene ojos (Death Has Eyes)
    Killer Nun (Giulio Berutti, 1978; Italian: Suir omicidi) aka Deadly Habit
    Red Rings of Fear (Massimo Dallamano, 1978; Italian: Enigma rosso) aka Virgin Terror, aka Trauma
    The Bloodstained Shadow (Antonio Bido, 1978; Italian: Solamente nero / Only Blackness)
    The Perfect Crime (Giuseppe Rosati, 1978; Italian: Indagine su un delitto perfetto)
    Thrauma (Gianni Martucci, 1979; Italian: Il mistero della casa maledetta / Mystery of the Cursed House) aka Trauma
    Thrilling in Venice (Mario Landi, 1979) aka Giallo in Venice, aka Giallo a Venezia, aka Giallo Venetian Style

    1980s

    Murder Obsession (Riccardo Freda, 1980; Italian: Follia omicida) aka Fear, aka The Wailing, aka The Murder Syndrome
    The Secret of Seagull Island (Nestore Ungaro, 1981; Italian: L'isola del gabbiano)
    Madhouse (Ovidio Assonitis, 1981) aka There Was a Little Girl
    Tenebrae (Dario Argento, 1982) aka Unsane
    The Scorpion with Two Tails (Sergio Martino, 1982; Italian: Assassinio al cimitero etrusco / Murder in the Etruscan Cemetery)
    A Blade in the Dark (Lamberto Bava, 1982; Italian: La casa con la scala nel buio / The House with the Dark Staircase)
    The New York Ripper (Lucio Fulci, 1982; Italian: Lo squartatore di New York)
    Carnal Crime (Cesare Canaveri, 1982; English: Delitto Carnale)
    Extrasensorial (Alberto de Martino, 1983) aka Blood Link
    Mystí¨re (Carlo Vanzina, 1983) aka Murder Near Perfect
    The House of the Yellow Carpet (Carlo Lizzani, 1983; Italian: La casa del tappeto giallo)
    Murder Rock (Lucio Fulci, 1984; Italian: Murderock - uccide a passo di danza) aka The Demon Is Loose!, aka Murder Rock - Dancing Death
    Sweets for a Stranger (Franco Ferrini, 1985; Italian: Caramelle da uno sconosciuto)
    Formula For a Murder (Alberto de Martino, 1985) aka 7 Hyden Park - La casa maledetta
    The House with the Blue Shutters (Beppe Cino, 1986; Italian: La casa del buon ritorno)
    The Killer Has Returned (Camillo Teti, 1986; Italian: L'assassino í¨ ancora tra noi)
    Delitti (Giovanna Lenzi, 1986; English: Crimes)
    You'll Die at Midnight (Lamberto Bava, 1986; Italian: Morirai a mezzanotte) aka The Midnight Killer, aka Midnight Horror
    The Monster of Florence (Cesare Ferrario, 1986; Italian: Il mostro di firenze)
    Phantom of Death (Ruggero Deodato, 1987; Italian: Un delitto poco comune / An Uncommon Crime) aka Off Balance
    Stage Fright (Michele Soavi, 1987; Italian: Deliria) aka Aquarius, aka Bloody Bird
    Delirium (Lamberto Bava, 1987; Italian: Le foto di Gioia / Photos of Gioia)
    Camping del terrore / Body Count (Ruggero Deodato, 1987) aka The Eleventh Commandment
    Too Beautiful to Die (Dario di Piana, 1988; Italian: Sotto il vestito niente 2 / Nothing Underneath 2)
    Dial: Help (Ruggero Deodato, 1988; Italian: Minaccia d'amore / Love Threat)
    Obsession: A Taste for Fear (Piccio Raffanini, 1988; Italian: Pathos - Un sapore di paura)
    Opera (Dario Argento, 1988) aka Terror at the Opera
    The Murder Secret (Mario Bianchi, Lucio Fulci, 1988; Italian: Non aver paura della zia Marta / Don't Be Afraid of Aunt Martha) aka Aunt Martha Does Dreadful Things
    Massacre (Andrea Bianchi, 1989)
    Nightmare Beach (Umberto Lenzi, 1989) aka Welcome To Spring Break
    Arabella, the Black Angel (Stelvio, 1989) aka Black Angel

    1990s - TO PRESENT

    Homicide in Blue Light (Alfonso Brescia, 1991; Italian: Omicidio a luci blu)
    Trauma (Dario Argento, 1992) aka Dario Argento's Trauma
    Misteria (Lamberto Bava, 1992) aka Body Puzzle
    Circle of Fear (Aldo Lado, 1992) aka The Perfect Alibi
    Dangerous Attraction (Bruno Mattei, 1993)
    Eyes Without a Face (Bruno Mattei, 1994; Italian; Gli occhi dentro)
    The Strange Story of Olga O (Antonio Bonifacio, 1995) written by Ernesto Gastaldi
    The Stendhal Syndrome (Dario Argento, 1996; Italian: La sindrome di Stendhal)
    The House Where Corinne Lived (Maurizio Lucidi, 1996; Italian: La casa dove abitava Corinne)
    Fatal Frames (Al Festa, 1996)
    Wax Mask (Sergio Stivaletti, 1997; Italian: M.D.C. - Maschera di cera)
    Sleepless (Dario Argento, 2001; Italian: Non ho sonno)
    The Card Player (Dario Argento, 2004; Italian: Il cartaio)
    Eyes of Crystal (Eros Puglielli, 2004; Italian: Occhi di cristallo)
    Do You Like Hitchcock? (Dario Argento, 2005; Italian: Ti piace Hitchcock?)
    Giallo (Dario Argento, 2009)
    Amer (Hélí¨ne Cattet and Bruno Forzani, 2009)
    Masks (Andreas Marschall, 2011)
    Tulpa (Federico Zampaglione, 2012)
    "Never let the fact that they are doing it wrong stop you from doing it right." Hyman Mandell.

  • #2
    Looks like mostly (only?) stuff out on DVD.
    Collection: http://geten.dvdaf.com/owned?rc=1

    Comment


    • #3
      /\ I'd say the same. Plus, at a glance, it's pretty much biased towards the (narrow) Anglo definition of what a 'giallo' is (black gloved killers, etc, etc). I'm not a fan of Wikipedia generally, but the Italian Wikipedia entries on the 'giallo all'italiana' and the 'thrilling' subgenres have a slightly different list of films, I believe.

      http://it.wikipedia.org/wiki/Giallo_all%27italiana
      http://it.wikipedia.org/wiki/Thrilling

      But as a 'to view' list, it's not 'arf bad.
      Paul L
      Scholar of Sleaze
      Last edited by Paul L; 09-05-2013, 09:43 AM.
      'You know, I'd almost forgotten what your eyes looked like. Still the same. Pissholes in the snow'

      http://www.paul-a-j-lewis.com (my photography website)
      'All explaining in movies can be thrown out, I think': Elmore Leonard

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