Originally posted by Alison Jane
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Corruption (Peter Cushing)
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Hartford-Davis' Corruption is my favourite British film not made by Andy Milligan so it would win, for me.
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Originally posted by Ian Jane View PostAm I the only one who likes the score?
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May I ask what the difference between the US and UK versions is?
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Pre-order up for the Indicator release.
https://www.powerhousefilms.co.uk/pr.../corruption-le
INDICATOR LIMITED EDITION BLU-RAY SPECIAL FEATURES
2K restoration from the original negative
Three feature presentations: the censored UK theatrical cut (92 mins), the US theatrical cut (92 mins), and the graphic continental version (91 mins)
Original mono audio
Audio commentary with Peter Cushing biographer David Miller and English Gothic author Jonathan Rigby for the US cut and continental version (2013)
The BEHP Interview with Peter Newbrook (1995, 92 mins): archival audio recording of the producer and cameraman in a career-spanning conversation with Alan Lawson and Roy Fowler, made as part of the British Entertainment History Project
The Guardian Interview with Peter Cushing (1986, 72 mins): archival audio recording of the legendary actor in conversation with David Castell at the National Film Theatre, London
The Reluctant Beatnik (2021, 15 mins): actor Phillip Manikum revisits his time on the film
What Ever Happened to Wendy Varnals? (2013, 16 mins): the actor and TV host remembers playing Terry
Archival interview with actor Billy Murray (2012, 14 mins)
Archival interview with actor Jan Waters (2012, 9 mins)
Stephen Laws Introduces 'Corruption' (2021, 7 mins): appreciation by the acclaimed horror author
Alternative Laser Killer opening titles (3 mins)
Isolated music & effects track
Original UK theatrical trailer
Original US theatrical trailer
Edgar Wright trailer commentary (2013, 3 mins): short critical appreciation
TV spots
Radio spots
Image galleries: production stills and promotional material
Director's shooting script gallery
New and improved English subtitles for the deaf and hard-of-hearing
Limited edition exclusive 80-page book with a new essay by Laura Mayne, a history of production company Titan International Films, an archival interview with producer and cinematographer Peter Newbrook, a look at the film's music, cast and publicity, excerpts from the novelisation, an overview of contemporary critical responses, and film credits
Limited edition exclusive set of five replica production stills
UK premiere on any home video format
Limited edition of 5,000 copies
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I think some of the music was recycled from DALEKS' INVASION EARTH 2150 AD.
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Originally posted by Ian Jane View PostAm I the only one who likes the score? I can't argue that it isn't inappropriate, you're probably right on that, but maybe because it's so out of place it works for me?
Corruption is my favourite British film not made by Andy Milligan.
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Overall, I'm still glad I own it, and its worthy of the effort for Cushings 100th Birthday. Just because its something different and not something that has been released a thousand times before.
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I'm in the camp that the score is way wrong for the film, but yeah, I like it on its own terms. Groovy jazz.
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Am I the only one who likes the score? I can't argue that it isn't inappropriate, you're probably right on that, but maybe because it's so out of place it works for me?
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Another try might prove more anjoyable.
It's not a good film by any means, so going in with any other expectation other than watching Cushing sleaze it up ( or eyeballing Kate O Mara and Vanessa Howard in early roles ) would lead to a let down.
Sue Lloyd is a bit too convincing as the shrewish bitch wife and the last third is a mess that falls flat on it's face. Having seen the film half a dozen times over the last 40 years, I really wanted this one for the extras, and also just because it managed to find a release in the US. The film has been obscure for a reason :)
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I'd forgotten how frustrating the score was: it's completely out of step with the content of the film
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Originally posted by Richard--W View PostSo, would everyone agree that CORRUPTION is a worthy celebration of Peter Cushing's career on his 100th birthday?
For me, this sits in a lineage of films that encompasses PEEPING TOM and Hitchcock's FRENZY: disreputable films by reputable auteurs (in this case, not Hartford-Davis but Cushing, the film's 'star').
I'm certainly glad to see this film get a good release.
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I refuse to agree to anything, as I haven't seen the film (fucking amazon)
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