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  • Eurocult Soundtracks

    What are your favourites?

    Mine is Blue Phantom "Distortions". Even though it's not technically a soundtrack that was composed for a specific film, it's a great Italian library record that was used in Jess Franco's "Sinner" and "Countess Perverse". Not a single bad track on it! Except maybe the 4th track on the A side. Nice early 70s instrumental fuzz rock, sometimes very heavy, sometimes very loungy. I cannot recommend this album enough!




  • #2
    Too many favorites to list them all. I am a soundtrack fanatic! I start my day with a eurocult s/t each and every morning. A few favorite composers and scores, aside from the obvious (Morricone):

    Stelvio Cipriani - FEMINA RIDENS, ENFANTASME, SQUADRA VOLANTE/LA POLIZIA RINGRAZIA, L'UOMO PIU' VELENOSO DEL COBRA, LA POLIZIA CHIEDE AIUTO
    Piero Piccioni - LE STREGHE, FUMO DI LONDRA, PLAYGIRL '70,
    Luis Bacalov - A CIASCUNO IL SUO
    Nora Orlandi - LO STRANO VIZIO DELLA SIGNORA WARDH
    Francesco de Masi - AFRICAN STORY
    Gianni Ferrio - IL KILLER, LA MORTE RISALE A IERI SERA
    Peppino de Luca - IL DIO CHIAMATO DORIAN

    The 10 cd series EASY TEMPO are all essential imo, a stunning collection and many tunes remain uncollected in their full soundtrack form. A must.
    A ton of spaghetti western soundtracks too, that's really a whole other list right there.
    I don't go to church. Kneeling bags my nylons.

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    • #3
      Agreed, Andrew, there's just so much quality stuff out there to digest! I'm particularly partial to Franco Micalizzi and his crime soundtracks, as well as this funky, spaced out score to The Visitor.





      Cipriani is one of the best, as well; dependable as hell. The Angelis Brothers are in my long list of favorites, as well. I love their main theme to Sergio Martino's Violent Professionals.

      Scyther
      Senior Member
      Last edited by Scyther; 01-22-2013, 06:32 PM.

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      • #4
        I've always liked Piero Piccioni's score for Puppet on a Chain (1971). Here is the main title:



        More cues from the film:



        "I've been to college, but I can still speak English when business demands it."
        - Raymond Chandler, 1939.

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        • #5
          That's a good one, Richard. I picked up the score long before I saw the film (which is pretty good too). Piccioni is a blind buy for me if it's 1960s or 70s.

          The number one score I wish for is Cipriani's THE DEVIL HAS SEVEN FACES. It's such a groovy and crazy memorable work, I stick the dvd in sometimes to listen. The film is totally forgettable but it was blessed with a superb soundtrack.
          I don't go to church. Kneeling bags my nylons.

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          • #6


            I have this on vinyl somewhere.
            Rock! Shock! Pop!

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            • #7
              The aforementioned theme from Stridulum aka The Visitor.



              Oh, and Nico Fidenco's funky theme to D'amato's Porno Holocaust

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              • #8
                Lot of good soundtracks for D'Amato movies, now that you mention it:







                Rock! Shock! Pop!

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                • #9
                  Yeah, Ian. I especially like Marcello Giombini's work on Anthropophagus and Erotic Nights of the Living Dead. It's funny how Joe has so many aspects of his films which work (cinematography, location, music) to make up for others which, generally...kinda don't (characterization, pacing, plot).

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                  • #10
                    Intrada announced today they've started importing Ennio Morricone's soundtrack to the "first" spaghetti western, THE GUNFIGHT AT RED SANDS (1963):

                    http://store.intrada.com/s.nl/it.A/id.7952/.f

                    Need to see get that film in good quality, too.
                    "I've been to college, but I can still speak English when business demands it."
                    - Raymond Chandler, 1939.

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                    • #11
                      Originally posted by Scyther View Post
                      Yeah, Ian. I especially like Marcello Giombini's work on Anthropophagus and Erotic Nights of the Living Dead. It's funny how Joe has so many aspects of his films which work (cinematography, location, music) to make up for others which, generally...kinda don't (characterization, pacing, plot).
                      Yeah, he seems to have paid more attention to the music than the actual films themselves sometimes.

                      I've always dug this score too (not D'Amato related, but still cool):

                      Rock! Shock! Pop!

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                      • #12
                        A mix of Italian soundtracks:
                        http://fingersports.blogspot.co.uk/2.../down-mix.html

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                        • #13
                          Everybody do the DEEP RED RAP!

                          Rock! Shock! Pop!

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                          • #14
                            Wow! That was... weird! :-)

                            Any idea how old that is? Sounds like early 90's to me.

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                            • #15
                              No idea but it's pretty embarassing...
                              Rock! Shock! Pop!

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