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Jean-Paul Belmondo
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Belmondo rocks! I wish I had a better grasp of his work, so this is a great idea for a thread.
My hands-down, top five are:
Breathless
Classe Tous Risques
Le Doulos
Pierrot Le Fou
Mississippi Mermaid
Two I really want to see - based on YouTube compilations that show him doing his own stunts - are:
The Burglers
Peur Sur La Ville aka The Night Caller / Fear Over The City
Not sure how these hold up as complete movies though...
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When I sober up, I'll contribute t this thread as a long-term Belmondo fan.
But superb stuntwork in LE PROFESSIONEL and LE MARGINAL. PEUR SUR LA VILLE is bloomin' phenomenal. LE CASSE (THE BURGLAR) is a damned good film; an excellent adaptation of the David Goodis novel.'You know, I'd almost forgotten what your eyes looked like. Still the same. Pissholes in the snow'
http://www.paul-a-j-lewis.com (my photography website)
'All explaining in movies can be thrown out, I think': Elmore Leonard
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Originally posted by Paul L View PostWhen I sober up, I'll contribute t this thread as a long-term Belmondo fan.
But superb stuntwork in LE PROFESSIONEL and LE MARGINAL. PEUR SUR LA VILLE is bloomin' phenomenal. LE CASSE (THE BURGLAR) is a damned good film; an excellent adaptation of the David Goodis novel.
Why the suddent Belmondo cravings?"No presh from the Dresh!"
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Originally posted by The Silly Swede View PostWhy the suddent Belmondo cravings?Last edited by Alison Jane; 11-01-2019, 04:57 PM.Å–Çƈḱ!Ꞩẖȫçꞣ!Ƥӧê•!
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LE MAGNIFIQUE is great from what I remember, but I haven't seen it since the 80's. Looks like there's a R02 blu. PIERROT LE FOU is one of my top Godard films, and JPB is great in it.
There's a classic PDX store called Import Plaza that had a room with old, yellowing movie star posters like the classic W.C. Fields and Marx Bros. ones hanging on the wall, and there was a GREAT one of Belmondo with cigarette in mouth!
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Seriously though - Le Doulos and Classe Tous Risques. If you liked Breathless, there's a very strong chance you'll like these (a lot) - ridiculously cool French Noir. Mississippi Mermaid, on the other hand, will be very familiar to anyone who suffered through the Antonio Banderas / Angelina Jolie potboiler, Original Sin - only with Belmondo and Denueve (and Truffaut directing) it's a pretty decent watch.
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Weekend At Dunkirk (1964) is worth a watch, I think.
Two Women (1960) is a fine film. Belmondo in a supporting role.
That Man From Rio (1964) and Up To His Ears (1965) are amusing.
Stavisky... (1974). Belmondo in the title role. Pretty good.Last edited by George Barry; 11-10-2019, 04:48 AM.
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[QUOTE=ChicGandil;1963
Two I really want to see - based on YouTube compilations that show him doing his own stunts - are:
The Burglers
Peur Sur La Ville aka The Night Caller / Fear Over The City
Not sure how these hold up as complete movies though...[/QUOTE]
I enjoyed the above films. They are both directed by Henri Verneuil, who directed Belmondo in six (or so) movies over twenty plus years. I liked The Burglars a bit more, perhaps because of Nicole Calfan and her wonderful gap toothed smile. Omar Sharif is very good in this. No Doctor Zhivago* here.
* That's not to say I don't like Omar Sharif as Doctor Zhivago. Just to say Sharif's character has a somewhat different attitude here.Last edited by George Barry; 11-11-2019, 04:51 AM.
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Originally posted by George Barry View PostI enjoyed the above films. They are both directed by Henri Verneuil, who directed Belmondo in six (or so) movies over twenty plus years. I liked The Burglars a bit more, perhaps because of Nicole Calfan and her wonderful gap toothed smile. Omar Sharif is very good in this. No Doctor Zhivago* here.
* That's not to say I don't like Omar Sharif as Doctor Zhivago. Just to say Sharif's character has a somewhat different attitude here.
Henri Verneuil's THE SICILIAN CLAN is such a cool film.
As far as Belmondo goes, I also really like THE NIGHT CALLER and THE BURGLARS. The latter has a terrific Morricone score too!
Edit - Actually, I just recalled that Morricone also scored THE NIGHT CALLER, though I don't think it's as good as THE BURGLARS.Last edited by Andrew Monroe; 11-16-2019, 06:44 PM.I don't go to church. Kneeling bags my nylons.
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Finally got around to watching Pierrot Le Fou last night and enjoyed it quite a bit. He and Anna Karina have that right kind of chemistry that, even when nothing is really happening, you want to keep watching them. The ending took me by surprise as well. Like most Goddard, it's needlessly artsy at times, but maybe better for it, certainly not worse. Lots of style here, some good humor and a whole lot of charisma.Rock! Shock! Pop!
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