Rewatching this, I note (which is probably patently obvious) the accumulation in degradation that takes place as the story progresses. Emanuelle's liberal approach to sexuality, established in the opening scenes, is faced with a series of scenarious that threaten to challenge/undermine this. It seems plotlessly episodic and purposeless, but there's a sense of a liberated woman being confronted with progressively more degrading/challenging scenarios.
Also, this time around I'm not entirely convinced that Pedro's... erm, member... isn't a prosthetic of some sort. Look at the framing and the manner in which its connection to the horse's body is always hidden by the composition. (That said, I've never studied a horse's genitals that closely.)
Also, this time around I'm not entirely convinced that Pedro's... erm, member... isn't a prosthetic of some sort. Look at the framing and the manner in which its connection to the horse's body is always hidden by the composition. (That said, I've never studied a horse's genitals that closely.)
Comment