Source.
First up is the next volume in our ongoing series exploring Greek exploitation cinema, and the first Blu-ray in that collection! It will be a double feature of two black and white films, THE WILD PUSSYCAT and THE DESERTER! Here's what MM founder Pete Tombs has to say about these two obscurities:
“The first of these is something of a classic of exploitation cinema - a genre (if it can be called that) rarely explored in Greece. And certainly very rarely before the 1970s and 80s. What is even more surprising is how relentless and indeed, eye opening the film is. We're talking about THE WILD PUSSYCAT, a film produced in Greece in 1968 but not officially released there until 1972. And then only in a cut and compromised version. To the best of our knowledge it has never been released before on any form of home video platform anywhere in the world.
The original Greek title of the film was Καυτή εκδίκησις - meaning “Hot Revengeâ€. It was later re-released as Hot Revenge of Sex, just to make things clearer. The simple plot concerns a woman whose sister was exploited and driven to suicide by a sleazy pimp. In order to get revenge on him the sister seduces the man, drugs him and imprisons him in a sound proof room, tormenting him through a large one-way mirror (he can see out, no-one can see in) by performing sultry strip tease dances and having sex with men and women while he can only look on, helpless to stop it.
Eventually she castrates the man and sets him free, leaving him crawling along the road howling like a beast.
Strong stuff! And, if the plot sounds familiar to fans of Italian genre cinema - yes, it was “borrowed†by Joe D'Amato for one of his 1970s productions, EMANUELLE'S REVENGE.
In spite of its lurid subject matter and upfront depiction of sex, THE WILD PUSSYCAT was not a low budget quickie with a cast of unknowns and a first time film maker. It was directed by Dimi Dadiras, one of the most successful director/producers of the period, and it features one of the big stars of Greek cinema - Gisela Dali, known in her day as “the Greek Bardotâ€.
There have been a handful of repertory screenings of the film in the US in recent years and its every showing has been greeted by audiences with wild howls of delight. It really is unlike anything you've ever seen before and we are sure any fan of the Mondo line will find it essential viewing.
The disc includes two versions of the film - the uncut export print and the Greek domestic release which replaces much of the original's sleaze and tease with a sub plot involving drug smuggling, juvenile delinquency and the sort of moralistic police detective who seemed to be a speciality of Greek crime films of this period.
To complete this essential package, we are also including the 1970 film O Lipotaktis (THE DESERTER). This is a fascinating and powerful film about a young soldier who escapes a seemingly endless war and finds himself trapped in an emotional and sexual battle between two desperate women. The great Gisela Dali also stars in this production, in a small but unforgettable role as a witch who casts a love spell on the young soldier.
Again, there are strong Italian connections here. The film was edited by Bruno Mattei. He also claimed to have directed much of it and a few years later released a version of it in Italy with himself credited as director, under the title of Armida, il Dramma di Una Sposa (Armida, the Story of a Woman). As with THE WILD PUSSYCAT we can find no evidence of this film ever having been released anywhere on home video before.
So, an essential double bill for anyone even remotely interested in the wider shores of exploitation cinema. We're sticking our necks out with this one as these are ultra-obscure, even in Greece. But it's good to live dangerously. We hope you'll join us on our journey into the wild side of world cinema.â€
They sound pretty great, huh? You know you want it. Release date and all other details about this blu are still TBD/TBA. Stay tuned and keep an eye out for a pair of new teaser trailers we've put together to hype this release.
First up is the next volume in our ongoing series exploring Greek exploitation cinema, and the first Blu-ray in that collection! It will be a double feature of two black and white films, THE WILD PUSSYCAT and THE DESERTER! Here's what MM founder Pete Tombs has to say about these two obscurities:
“The first of these is something of a classic of exploitation cinema - a genre (if it can be called that) rarely explored in Greece. And certainly very rarely before the 1970s and 80s. What is even more surprising is how relentless and indeed, eye opening the film is. We're talking about THE WILD PUSSYCAT, a film produced in Greece in 1968 but not officially released there until 1972. And then only in a cut and compromised version. To the best of our knowledge it has never been released before on any form of home video platform anywhere in the world.
The original Greek title of the film was Καυτή εκδίκησις - meaning “Hot Revengeâ€. It was later re-released as Hot Revenge of Sex, just to make things clearer. The simple plot concerns a woman whose sister was exploited and driven to suicide by a sleazy pimp. In order to get revenge on him the sister seduces the man, drugs him and imprisons him in a sound proof room, tormenting him through a large one-way mirror (he can see out, no-one can see in) by performing sultry strip tease dances and having sex with men and women while he can only look on, helpless to stop it.
Eventually she castrates the man and sets him free, leaving him crawling along the road howling like a beast.
Strong stuff! And, if the plot sounds familiar to fans of Italian genre cinema - yes, it was “borrowed†by Joe D'Amato for one of his 1970s productions, EMANUELLE'S REVENGE.
In spite of its lurid subject matter and upfront depiction of sex, THE WILD PUSSYCAT was not a low budget quickie with a cast of unknowns and a first time film maker. It was directed by Dimi Dadiras, one of the most successful director/producers of the period, and it features one of the big stars of Greek cinema - Gisela Dali, known in her day as “the Greek Bardotâ€.
There have been a handful of repertory screenings of the film in the US in recent years and its every showing has been greeted by audiences with wild howls of delight. It really is unlike anything you've ever seen before and we are sure any fan of the Mondo line will find it essential viewing.
The disc includes two versions of the film - the uncut export print and the Greek domestic release which replaces much of the original's sleaze and tease with a sub plot involving drug smuggling, juvenile delinquency and the sort of moralistic police detective who seemed to be a speciality of Greek crime films of this period.
To complete this essential package, we are also including the 1970 film O Lipotaktis (THE DESERTER). This is a fascinating and powerful film about a young soldier who escapes a seemingly endless war and finds himself trapped in an emotional and sexual battle between two desperate women. The great Gisela Dali also stars in this production, in a small but unforgettable role as a witch who casts a love spell on the young soldier.
Again, there are strong Italian connections here. The film was edited by Bruno Mattei. He also claimed to have directed much of it and a few years later released a version of it in Italy with himself credited as director, under the title of Armida, il Dramma di Una Sposa (Armida, the Story of a Woman). As with THE WILD PUSSYCAT we can find no evidence of this film ever having been released anywhere on home video before.
So, an essential double bill for anyone even remotely interested in the wider shores of exploitation cinema. We're sticking our necks out with this one as these are ultra-obscure, even in Greece. But it's good to live dangerously. We hope you'll join us on our journey into the wild side of world cinema.â€
They sound pretty great, huh? You know you want it. Release date and all other details about this blu are still TBD/TBA. Stay tuned and keep an eye out for a pair of new teaser trailers we've put together to hype this release.
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