Were there any discussions about including a 1.66:1 version as well?
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Originally posted by Jared A. View PostThe film certainly wouldn't be ruined by going wide, but certain key scenes would be excessively tight.
Originally posted by Jared A. View PostYou have to remember - most of the guys making films in the 70s grew up on films of the 30s and 40s, and that's certainly the case with Larraz. For a lot of them, widescreen was a commercial compromise.
But to suggest a director who began his career in 1970 had some deep connection to 1.33 composition is simply not credible.
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Well, several very credible people at the BFI, Mondo Macabro and the Brussels Cinemathek have reached the same decision (having the option to frame it any way they wanted, thanks to having access to the OCN), and on the basis of what I've seen so far I can see why they did. To my eyes, the film simply looks more convincing in 1.33:1.
I don't imagine it was an easy decision, for the historical reasons you cite, but sometimes you just have to trust the evidence of your eyes.
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why is everyone wanting a widescreen version, when it has been stated by Mondo Macabro that the film is meant to be shown 4:3? I mean Mondo Macabro has never released a film in the wrong aspect ratio, and I don't think they will screw this one up either, I don't want a 1.66:1 version included when the film is meant to be shown 4:3, that's the same as back in the old days when VHS would show 1.85:1 movies in 4:3, I mean the purpose of a films aspect ratio is not to fill up our new nice 16X9 TV's, but to be shown in their correct aspect ratio, whether it's 1.66:1 or 4X3 or 1.85 or 2.35:1
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Originally posted by MichaelB View PostHaving had a spin through the new transfer, I can confirm that the image is certainly croppable to 1.66:1 and even 1.85:1, but it looks very tight indeed (especially at 1.85:1).
The last time I personally had to make a framing decision when supplied with a 4:3 master was for Russ Meyer's The Seven Minutes, which was a total no-brainer - I've never seen so much headroom in my life, and when reframed in widescreen the compositions looked properly dynamic in a way that they emphatically didn't in 4:3.
But with this, it's pretty much the other way round, and so I can absolutely see why the BFI and Mondo Macabro endorsed 4:3. And these people are not philistines - I suspect this would have been discussed in considerable detail during production and authoring.
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Official Mondo statement from Pete Tombs
http://mondomacabrodvd.blogspot.com/...ntroversy.html
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Originally posted by Keeth View PostSo, what is Symptoms like? The trailer looks interesting, sorta. I think the only Larraz film I've seen is Black Candles & I remember nothing about it.'You know, I'd almost forgotten what your eyes looked like. Still the same. Pissholes in the snow'
http://www.paul-a-j-lewis.com (my photography website)
'All explaining in movies can be thrown out, I think': Elmore Leonard
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Okay, it sounds like it's worth the blind buy. Repulsion came to mind when I watched the video last week or so.
Images, the film directed by Robert Altman? I've never seen it but it sounds like I should.Last edited by Keeth; 04-14-2016, 07:24 PM.
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Pre-ordered the red Mondo. Don't want to miss out on those extras I'm never going to bother watching anyway.
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