White Whore (白ã„娼婦 花芯ã®ãŸã‹ã¾ã‚Š) (Japan, 1974) [VoD] - 2.5/5
Dark and cold, if not very deep psychological drama by Masaru Konuma. It takes a bit of patience because there's a random filler sex scene right at the start, immediately sending the film off the rails. But there's better things to come. Well, "better". Yuri Yamashina is a hooker, always dressed in white (hence the delicate title), with a brother confined in a wheelchair. She keeps feeding him with young girls (some willing, others not) until one day she's raped (by a laundry delivery boy) in front of him, much to his delight. Things only get more twisted after this sexual awakening. This isn't one of Konuma's best pictures, but the storyline and arty approach work alright once you get over the poor start. His finest films remain the breezy love story Wandering Lovers: Dizziness (1978) and the atmospheric horror drama Woman In the Box 2 (1988).
Notice the billboard for Toei double feature Golgo 13 & Female Prisoner Scorpion: Grudge Song which came out Dec. 19, 1973)





Female Teacher: Boy Hunt (女教師 少年狩り) (Japan, 1975) [VoD] - 2/5
There's a slight promise of something unusual with a title like "Boy Hunt", an anomaly among the more comfortably chauvinist "Woman Hunt" titles. And indeed, an all boy's school set film with a predatory female protagonist seems to have been a bit much for the Roman Porno audiences whose faith in their manhood had to be restored by having dentist Akira Takahashi drilling the fore mentioned heroine, and a bunch of schoolboys target her in the name of vengeance (her ex-student committed a suicide)... All of which largely undo the promise, especially when her misconducts are, despite the title, largely limited to an ex-romance and shaving misbehaving boys' pubic hair as a punishment in one scene! A bit of an odd film, and not really that bad of a movie even if it's a bit pedestrian in execution.
Slave Wife (奴隷妻) (Japan, 1976) [VoD] - 3/5
Kimono wearing wife Naomi Tani is assaulted by hilariously over the top American G.I.s before being abducted by bitter former servant Akira Takahashi. Tolerable direction and focused storyline, effective cross cutting between present and past, unexpected ending, and Takahashi as the abductor make this film more watchable than most of its SM companions. Takahashi was an unsung hero of Roman Porno; a decent actor who spent two decades playing second fiddle to actresses when Nikkatsu went Roman Porno, usually portraying gangsters. Quite often he'd manage to breathe life - even a tiny bit - to characters that were intended as nothing more than plot tools. This film features one of his biggest roles, and he doesn't disappoint.
Gaijin yaro harassing Naomi Tani

Takahashi






Rape Shot: Momoe's Lips (レイプ・ショット 百æµã®å”‡) (Japan, 1979) [VoD] - 2.5/5
This fast paced, surprisingly watchable pop thriller emerges as junk director Katsuhiko Fujii's best film. It's about a sleazy asshole reporter (Noriaki Abe with an amazing 70s moustache and perm) trying to bust pop star Miki (Minako Mizushima) for drugs while she's also being targeted by kidnappers and protected by a Terminator like bodyguard (Toei actor Shinzo Hotta in a ridiculous role). While the film's title is Momoe Yamaguchi exploitation it seems the project itself was influenced by Koyu Ohara breezy pop films and Yasuharu Hasebe's crime films (Abe also starred in Hasebe's tonally similar Secret Honeymoon: Rape Train). It's still sloppy filmmaking with some dull sex scenes and zero depth (you'll notice your attention drops the second there isn't something cool on screen) but it remains more watchable than you'd expect, is finely shot and even has some cool music.
Live Act: Top Stripper ((本)噂ã®ã‚¹ãƒˆãƒªãƒƒãƒ‘ー) (Japan, 1982) [VoD] - 3.5/5
A genuinely warm slice of life piece following the lives of a small strip theatre staff and dancers, and a very sympathetic young man (mainstream actor Ken Miyawaki) who falls in love with a dancer called Gloria (Kaori Okamoto). Meanwhile, a lonely and sweet girl named Yoshiko (Ayako Ota, looking like an 80s idol ala Hiroko Yakushimaru or Tomoyo Harada) befriends him and falls in love with him. There's a bit of crude sex as a genre burden and the characterization could benefit from a longer running time, but those are relatively minor flaws. This is one of those films people go in expecting a skin flick and come out having experienced something more profound: a good story with decent characters. It also functions as a decent, musically oriented zeitgeist to early 80s Japan. Writer / director Yoshimitsu Morita helmed his most celebrated film The Family Game the following year.



Ken Miyawaki

Ayako Ota



Elder Sister's Diary (Japan, 1984) (姉日記) [VoD] - 1.5/5
Hiroyuki Nasu (Bebop High School, 1985) was Nikkatsu's gun for hire for trendy, commercial entertainment in the mid 80s. He helmed pictures like Lesbians in Uniforms (1983) with the audio-visual touch of a music video director (and corresponding character depth). This film is a beach resort set Pink Curtain (1982) meets Sun Tribe lite with no other point than to milk the "brother in love with hot elder sister" concept. The Sun Tribe reference mainly epitomizes in the tremendous, cool as hell closing scene where the protagonist (Kaoru Oda) cuts her hair short and takes off her bikini top as she speeds to open sea in a motorboat operated by her brother who is left speechless by her coolness, all set to blazing pop music. Bravo!

That's Roman Porno: Smile of Goddesses (ザッツ・ãƒãƒžãƒ³ãƒãƒ«ãƒŽ 女神ãŸã¡ã®å¾®ç¬‘ã¿) (Japan, 1988) [VoD] - 1.5/5
A 95 minute collection of clips (not trailers, like sometimes claimed) from Roman Porno films, disguised as a "documentary" (which it is not, save for an occasional narrator voice or an screen text), released in commemoration of the series after the series came to its end in 1988. There are no great discoveries to be made for well educated Roman Porno aficionados as all the clips are from relatively well know films.
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